For “Incredibles 2,” Pixar achieved interactive full-fidelity hair, increasing artist freedom and productivity.
Pixar implemented highly parallel algorithms for hair generation and deformation and used fast, modern techniques for graph evaluation, subdivision surfaces, Poisson disk sampling, and scattered data interpolation.
IAMC19 : The Art Community is Back in Paris – March 15th – 17th
John Howe, Nicolas Sparth Bouvier, Aleksi Briclot, Paul Chadeisson, John J. Park, Feng Zhu, Vance Kovacs, Andrea Goh, Jaime Jasso, Nicolas Weis, Goro Fujita, Noëlle Triaureau Jama Jurabaev, Andrea Blasich, Mike Morris ,Gini Santos, Daniel Gregoire, Raphael Lacoste, Marc Simonetti …