A film without main characters that revolves around a series of seemingly unconnected events, Estonian animator Kaspar Jancis’ returns to the short film arena with Piano, his follow-up to the equally impressive, critically-acclaimed Villa Antropoff. A film that strikes an odd equilibrium between feeling chaotic and perfectly orchestrated, tragic and comedic, Jancis’ latest film once again shows why the filmmaker’s distinct storytelling approach is held in such high regard.
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